 |
| Tony
Clifton and the Katrina-Kiss-My-Ass Orchestra |
Tony
Clifton and the Katrina-Kiss-My-Ass Orchestra
Revolution
Hall, Friday
We’re betting that about 10 percent of our readers saw that
header and said, “No effing way.” To them, we say, “Yes effing
way”; for the other 90 percent or so, here’s what’s so un-effing-believable:
Tony Clifton is the hysterically repellent “alter ego” of
the late, great comic Andy Kaufman. Kaufman, known for frequently
pushing his comedy to and over the edge, supposedly “discovered”
Clifton in a Vegas nightclub in 1969. As promised, Clifton
returned to the stage on the one-year anniversary of Kafuman’s
1984 passing, sparking rumors that Kaufman faked his own demise
(though in all likelihood Clifton is, and was often, played
by Kaufman’s writing partner Bob Zmuda). Now, after years
of relative seclusion, Clifton is back with a 10-piece band
and a three-hour show (proceeds benefit Hurricane Katrina
relief, by the way) that are sure to thrill the audience—and
test their patience. Tony, are you goofing on Elvis? Eff yeah.
(Sept. 12, 7 PM, $18, 425 River St., Troy, 274-2553)
 |
Jez
Lowe and the Bad Pennies
Old
Songs, Friday
Got a thing for Northumbrian Pipes? Fancy a salty yarn, told
to a cittern-led waltz? Well, well; the BBC Radio nominee
for 2008 “Folksinger of the Year” is bringing his band across
the pond to little old Voorheesville for an evening of that
and more. For 15 years, Jez Lowe has been writing songs that
have since become standards within his scene. If you’re hip
to the folk/acoustic/Celtic circuit, this has got to be as
big as when Yanni tours Mexico (seriously, the dude sells
out soccer stadiums). Backed by fiddle, bass, and pipes of
the above variety, this one promises to be more than your
average barroom sing-along. (Sept. 12, 8 PM, $20, 37 S.
Main St., Voorheesville, 765-2815)
Bill
Charlap Trio
A
Place for Jazz, Friday
Bill Charlap’s bio reads like a how-to guide for aspiring
jazz pianists: The son of a singer and Broadway composer,
he took up piano at age 3; studied classical music but opted
for jazz; gigged with Gerry Mulligan, Benny Carter and Tony
Bennett; landed a deal with Blue Note; married another jazz
pianist; and took his place among the greats of his instrument.
A classicist, Charlap takes a literal approach to the Great
American Songbook and is known for his delicate respect for
melody. He performs Friday with longtime rhythm section Peter
and Kenny Washington. (Sept. 12, 8 PM, $15, Whisperdome,
First Unitarian Society, 1221 Wendell Ave., Schenectady, 393-4011)
Ill
Bill
Northern
Lights, Saturday
You best check yourself before you wreck yourself because
Ill Bill, Brooklyn’s own record producer/rapper savant, is
in town to spit some politically themed vitriol. On tour supporting
a new record (The Hour of Reprisal) that features guest
appearances ranging from Massachusetts metal band Killswitch
Engage to rapper-turned-country-rocker Everlast and Bill’s
own brother, rapper Necro, Bill will bring a spectrum of influences
to the stage. Bill lays it down on the political tip about
9/11 conspiracy theories, America’s imperialistic tendencies,
not snitching, Hennessy, and, as he puts it, being a “goon.”
As Bill puts it, “You can’t kill bill/That was a movie/You
can’t move me.” (Sept.13, 7 PM, $15, 1208 Route 146, Clifton
Park, 371-0012)
Chiwoniso
Sanctuary
for Independent Media, Tuesday
Madonna. Prince. Beyoncé. Chiwoniso. Who’s that? In Zimbabwe,
Chiwoniso Maraire is a popular-music star worthy of the same
single-name treatment with which we regard some of our country’s
biggest acts. Perhaps it’s no coincidence, then, that the
singer was born in the States (in Olympia, Wash.)—but make
no mistake about it, her music is uniquely and specifically
of her family’s homeland. Zimbabwe’s recent turmoil has been
a considerable influence on the singer’s soulful blend of
sounds, native both to Africa and America, and her lyrics
convey messages of struggle, strife, and ultimately the hope
to overcome all setbacks. This week, Chiwoniso’s songs of
freedom come to life on the Sanctuary stage, where she’ll
be backed by an eight-piece Afro-soul band. (Sept. 16,
7 PM, $10, ages 16 and under free, 3361 6th Ave., Troy, 272-2390)
 |
| Also
Noted |
 |
| The
Sadies |
The
Felice Brothers bring their short bus full
of big fun to the Linda tonight (Thursday) for
their third regional show in a week, with guest
AA Bondy opening (8 PM, $15, 465-5233
ext. 4). . . . Anaïs Mitchell and Rachel
Ries teamed up for the new Country EP;
they’ll perform together tonight at the Iron Horse
Music Hall in Northampton, Mass. (7 PM, $13, 413-586-8686).
. . . Laugh your folking head off at Caffe Lena
tomorrow (Friday), when Carla Ulbrich, George
Wurzbach, and Mike Agranoff team up for an evening
of Side Splittin’ Songs (8 PM, $15, 583-0022).
. . . The Egg jams four great songwriters into
two great nights this weekend: Friday, catch the
double-bill of Lori McKenna and Mary
Gauthier (8 PM, $22, 473-1845); Saturday,
Dar Williams and Shawn Mullins share
the stage (8 PM, $24, 473-1845). . . . Saturday
is busy above-ground as well: Tiempo Libre
and Alex Torres and his Latin Orchestra close
out the free-music series at the Empire State
Plaza (3 PM, free, 473-0559). . . . Toronto-based
country-rockers the Sadies set up shop
at Valentine’s Saturday night (7 PM, $10, 432-6572).
. . . Also Saturday, at RPI’s Ground Zero performance
space, Brooklyn indie-pop band Via Audio
make their area debut (8 PM, $3, gzbase ment.net).
. . The Iron Horse hosts two underheralded songwriters
back-to-back this week: On Monday, it’s Canadian
slow-folker Hayden (7 PM, $15, 413-586-8686);
on Tuesday, Nebraska-via-Brooklyn songsmith Josh
Rouse plays his “bedroom classics” (7 PM,
$25, 413-586-8686).
|
|
|