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The
Mill
Rexleigh
Mill, Greenwich, Friday
This
is one fiesta that says summer like no other. Take the day
off of work and kick off your Friday near Salem tubing on
the Battenkill after 11 AM. Dry off and dig out the cooler
for a nice picnic lunch in the sun followed by rock in the
afternoon. The show will get underway around 3 PM, featuring
solo accordionist extraordinaire Harry Pyle, the precision
rock of Fruitless Attempts at Glory, the supercute duo Kickstand
Love, Skull Division, and Importante el Serioso. The booty
movement inspired by Blue Water Tribe’s hiphop and the Mathematicians’
electro-rock warrant the drive alone. After the music’s done,
folks will hunker down to watch Friday the 13th, appropriately
enough, and camp out for the night. There are rumors of wiffleball
and s’mores as well. Attendees are encouraged to bring along
food and camping equipment, though the kids want you to leave
the booze and drugs at home. For helpful directions, follow
the links to the mill at www.pinkhearse.com. (Aug. 13,
11 AM, www.pinkhearse.com)
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The
Burns Sisters
Caffe
Lena, Friday
As
the saying goes, the family that plays together stays together.
The three Burns Sisters—Marie, Annie and Jeannie—have been
singing together professionally for 18 years. They come from
a family of 14 children; the whole crew could have started
their own choir. Apparently, they still like each other. They’ve
recorded half a dozen albums, worked with Springsteen sidemen
and operated their own record label. (All three have performed
as solo artists, too.) The New York born-and-based trio have
earned a solid local following with their multi-instrumental,
acoustic-based approach to folk, country, rock and pop. Oh,
and those harmonies—one suspects that the folks really
come out for their clear-as-mountain-stream, bluegrass-derived
vocal stylings. (Aug. 13, 7 PM, $16, $14, 47 Phila St.,
Saratoga Springs, 583-0022)
Cobble
Hillbillies
Valentine’s,
Friday
Comprising
six guys who have roots ranging from Delmar to Israel, Cobble
Hillbillies are a bluegrass outfit based in Brooklyn. The
sextet have quickly made a name for themsleves as warm, energetic
performers who absolutley love creating and playing their
music. According to mbus.com, though the guys have been playing
around Manhattan and Brooklyn for less than a year, they have
become the “highest-drawing bluegrass act in the city.” That’s
pretty impressive. The band are currently in the process of
recording their first album, but you can listen to some roguh
cuts on their Web site, www.cobblehillbil lies.com. At the
show at Valentine’s tomorrow (Friday), the Cobble Hillbillies
will be sandwiched between Matt Loiacono, who’ll open the
show, and local indie-Americana group knotworking, who’ll
headline. (Aug. 13, 9 PM, $5, 17 New Scotland Ave., Albany,
432-6572)
Hector
on Stilts
Lark
Tavern, Saturday
Arizona-based
duo Hector on Stilts moved to Lenox, Mass., three years ago,
and immediately began turning heads with their Latin-inflected
folk-pop songs and posterworthy good looks, but their voices
deserve the attention above all other things. The harmonies
are so natural, sweet and airtight, one would think the pair
had known each other their entire lives. OK, they kinda have—Jeb
and Clayton Colwell are cousins, and they’ve been making music
together on and off since high school. Their first album,
Pretty Please, was a live, in- studio affair, capturing
the Colwell boys in all their harmonic glory, with just two
microphones and no overdubs. Their newer material has moved
steadily toward a more “rock” sound, and shows a significant
growth in their songwriting talents. To push things forward,
they’ve been recording and performing with a drummer as of
late; Jason Schultz of the Suggestions will play the role
at Saturday’s Lark Tavern show. Area troubadour Rob Skane
will open. (Aug. 14, 10 PM, $3, 463 Madison Ave., Albany,
463-7875)
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Stew
MASS
MoCA, North Adams, Mass., Saturday
Maybe
rock & roll really is dead—or if not totally dead, moribund
at least. Or maybe the increasing corporate control over the
distribution of music is just choking out the good stuff and
going whole hog on the lowest-common-denominator/highest-profit-margin
garbage. Or maybe we’re now officially old. There’s got to
be some dramatic explanation for the fact that recently we’ve
become kinda excited about (gulp) cabaret. And Stew’s performance
at MASS MoCA sounds right up our street: Stew got his start
in L.A., working the R&B circuit and then fronting the
notoriously named rock band the Negro Problem, before headed
to New York for a stint as an avant-noise practitioner. Then
it was off to Europe, specifically Berlin, where he joined
an community of artists and squatters. Eventually he headed
back to LaLa Land, where he began incorporating his varied
experiences among the world’s demimonde into sung/acted dramatic
narratives relating, according to The New York Times’
Jon Pareles, “human weaknesses and all the fascinating
trouble they can cause.” (Aug. 15, 8 PM, $16, 1040 MASS
MoCA Way, 413-662-2111)
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Nellie
McKay
Iron
Horse Music Hall, Saturday; Club Helsinki, Sunday
“This
record is my life,” says 19-year-old Nellie McKay (pronounced
MacKaye, as in Ian, from—oh, never mind) of her critically-lauded
debut album, and what a life it must have been so far. Get
Away From Me, whose title slyly plays on the title of
Norah Jones’ Come Away With Me, is an ambitious double
album (this is not a typo) that could only have come from
the mind of someone not-too-far-removed from their high school
days. The versatile, eclectic youngster signed to Sony after
stirring things up on Manhattan’s club circuit, mainly because
her musical-trick bag holds equal amounts of Eminem and Bob
Marley, Doris Day and Ella Fitzgerald. Not to mention McKay’s
lyrics, which make her sound mature beyond her years one minute
(“I Wanna Get Married”), vunerable and full of late-teen angst
the next (“Change the World”). There are two chances to catch
Nellie McKay this weekend: She’ll play the Iron Horse in Northampton
on Saturday, then head an hour west to Great Barrington’s
Club Helsinki on Sunday. (Iron Horse: Aug. 14, 7 PM, $15,
20 Center St., Northampton, Mass., 413-584-0610; Club Helsinki:
Aug. 15, 8:30 PM, $18, 284 Main St., Great Barrington, Mass.,
413-528-3394)
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| Also
Noted |
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Former
Throwing Muses/Breeders/Belly member Tanya
Donnelly comes to the Iron Horse in Northampton,
Mass., tonight (Thursday) to promote her latest
release, beautysleep; Rachel Goswell
(of Mojave 3) opens with songs from her solo debut,
Waves Are Universal (7 PM, $15, 413-584-0610).
. . . Christian trumpeter Phil Driscoll
performs at the Draper Center (formerly Draper
High) in Rotterdam tomorrow (Friday) night (7
PM, free, 857-5886). . . . Also on Friday, John
Mayall and the Bluesbreakers, perhaps England’s
longest-running blues act (closing in on 40 years),
will perform at the Death Star—sorry, we meant
the Egg—as part of the “American Roots and Branches”
concert series; Savoy Brown opens (8 PM,
$24, 473-1845). . . . Same night, a little bit
north, and on the other side of the river: Folk-groove
trio Wide Awake will record their show
in the taproom at Brown’s Brewing Co. in Troy
(9 PM, free, 273-2337). . . . Gavin DeGraw,
whose “I Don’t Want to Be” video has been all
over MTV as of late, plays Northern Lights on
Sunday, along with up-and-comers Toby Lightman
and Marc Broussard (371-0012). . . . Iowa-based
instumental group Marah Mar plays the Fuze
Box this Monday, with a solo set by Kamikaze Heart
Troy Pohl and, from what we’re told, a
rare acoustic set by Enoch and Dave
(from Rockets and Blue Lights); hang around afterward
for indie-rock dance night (9 PM, $5, 432-4472).
. . . Nostalgia never dies—just ask Thin Lizzy,
whose iconic lead singer Phil Lynott has been
dead for nearly 20 years; the remaining members
will share the SPAC stage with Deep Purple
and Joe Satriani on Tuesday (7:30 PM, $45,
476-1000). . . . Inadvertently working the nostalgia
circuit themselves, Blues Traveler return
to Northern Lights for a show on Tuesday night;
hard-working locals Sirsy handle the opening
duties (7:30 PM, $20, 371-0012).
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