—Mike
Trash
The Erotics
‘Imagine”
by John Lennon. No matter where I am when I hear that song
I am struck by its emotional power. Whether it’s the sheer
beauty of the melody, the message of the lyric, or the reminder
of how unfair Lennon’s death was, I always have to fight back
tears listening to it. Driving in my car the morning after
9/11, “Imagine” came on the radio. I remember sobbing during
the prolonged silence that followed “. . . and the world will
live as one.” Confessing to that makes me feel like I should
go do something hopelessly macho, like chop wood, punch someone,
vote Republican. Alright, maybe not.
—Brendan
Pendergast
The Charlie
Watts Riots
Ian McLagan
and the Bump Band, “Itchycoo Park.” When “Itchycoo Park” by
the Small Faces was a hit in the 1960s, it spun my teenage
head around. Ian McLagan recorded this new version in tribute
to the late Ronnie Lane, the song’s writer and his bandmate.
His piano-based performance brings out the spiritual heart
of the song and makes me take stock of where I am, where I’ve
been and where I’m going. It stops me in my tracks.
—David
Greenberger
Metroland
At 16,
I was romance. Mullet, zits, biker jacket, 78 Regal,
homely girlfriend. . . . I was the man. Then, she was gone.
Driving home, drowning my sorrows in The Metal, “Burning Heart”
by Vandenberg came on the stereo. I pulled over and cried
like a schoolgirl with a skinned knee. O, sweet bird of youth!
—Albie
Von Schaaf
The Black
Fuel
Willie
Nelson, “He Was a Friend of Mine.” In other hands and voices,
this traditional song can become trite and cloying. Willie,
as usual, cuts right to the heart of the song, a lament for
a missing friend that is not pitying or whining, just respectful
and rueful.
—Mike
Hotter
Metroland
Definitely,
definitely “Martha” by Tom Waits. Every time I hear this song
I just bawl. I feel like I am 80 years old when I listen to
that song, and like I lost the moment that could have changed
the landscape of my life forever. The pain is so bittersweet.
Reminds me of that same gut-ripping longing in the book Love
in the Time of Cholera by Gabriel Garcia Marquez.
—Katie
Haverly
singer/songwriter
My steely
demeanor is basically rendered like animal fat in a glue plant
whenever I hear “Nutty” by Thelonius Monk. It’s my dog’s theme
song. That’s Otis, prancing down the street with his tail
sweeping the air like the brush of Cezanne. Stealing my biscotti.
Chewing my gum. Out cold on his back and snoring or curled
up into a ball on cold night with his nose lodged directly
in his own ass. Chasing rabbits in his half-hearted way, like
he knows he’ll never catch one but what the hell? For some
reason “Nutty” always reminds me that nothing lasts forever,
and how devastated I’ll be when someday we’ll have to say
goodbye, when that longing pair of smoky, pink-rimmed brown
eyes only looks up at me in my dreams. A close second is Al
Green’s “For the Good Times.” Oh, and also Black Sabbath’s
“Spiral Architect.” Gets me every time.
—Bill
Ketzer
Ten Year
Vamp, Second Hand Smoke
Squeeze,
“Can of Worms.” Glimpses into the life of a divorced mother
from the vantage point of the man currently involved with
her. The lyrics have a cinematic specificity that heightens
their potency. The music brings an unshakable air of melancholy,
with Glenn Tilbrook’s choirboy voice heightening the sense
of wounded feelings that the adults want to keep from the
children for as long as possible.
—David
Greenberger
Metroland
Gosh,
what doesn’t make me cry these days? The Fellow Travelers,
“She Moved Away.” Jeb Loy Nichols’ saddest tale. Roky Erickson,
“You Don’t Love Me Yet,” because it sounds like Roky’s gonna
cry. Richard Buckner, “Song of 27” . . . you really need an
explanation? Bruce Springsteen, “Lonesome Day”—“It’s alright/It’s
alright/It’s alright/Yeah.”
—Howard
Glassman
Grainbelt
Bonnie
Prince Billy, “Missing One.” A humble, blindingly beautiful
heart-to-heart to a loved one, recently passed. Anyone in
the same boat can relate, and we’re all in the same boat.
—Mike
Hotter
Metroland
Two songs
are so poignant it kills me: “When You Wish Upon A Star,”
and the Mister Rogers song “I Like You.” I’m sure they both
dredge up bittersweet childhood memories for me. “Star” is
so damn hopeful, so encouraging of twilight dreams that won’t
survive the cold, hard stare of daylight, set to a melody
that is nothing if not melancholy. Rogers was always pushing
the feel-good rap on the kids, even before it became trendy
to do so. He and John Costas brilliantly combined jazz music,
positive-message lyrics and trippy puppetry to bring a safe
little world to children for preschool escapism. Never mind
15 minutes of fame; songs like these two gave me 15 minutes
of belief that maybe, just maybe, everything could be all
right.
—MotherJudge
singer/songwriter
host
of Tess’ Lark Tavern open mic
‘Where
Did You Sleep Last Night” by Nirvana, and “Drunk, Tired and
Busted” by Big Frank and The Bargain Bingers are great. But
“In My Life” by the Beatles is on the top of my tearjerker
list. The perfect song for a middle-aged rocker like myself
who lost a sister, went through a divorce, is witnessing his
parents age and just fighting through personal demons I never
dreamt of. At the end of the song though, Lennon lends me
a hand and tells me there’s always that special someone at
the end of the tunnel holding a light.
—Kostas
“Gus” Hais
Blackcat
Elliot
Robert
Wyatt “Forest.” Lety was a WWII extermination camp for Gypsies
in the Czech Republic. There is no memorial for the dead at
the site, which is now a pig farm. Deeply personal and universally
poetic, Robert Wyatt and Alfreda Benge have created a memorial
with this song. “Deep in the forest/The omens are bad/A cloud
passes over the moon.”
—David
Greenberger
Metroland