“I shit myself tonight.”
The first line spoken in Satchmo at the Waldorf, having its world premiere production currently at Shakespeare & Company’s Tina Packer’s Playhouse, startles the audience. It grabs their attention. There are a ...
At its best, Shakespeare and Company’s The Tempest is best critiqued by the playwright: “This is a most majestic vision, charming and harmonious” . . . “something rich and strange” . . . “Now I ...
Parasite Drag begins with Joellen (Elizabeth Aspenlieder) looking out of the upstage center door, a gold cross prominently place centered over the jamb. There’s a tornado watch in effect, Joellen announces to her husband Gene ...
The scene suggests Chekhov: Three sisters enter one after the other, their late-Edwardian dresses trailing across the floor. Their matching hats create a halo for each, and their white elbow-length opera gloves lend a statue’s ...
The infamous 1938 radio broadcast of The War of the Worlds exists in at least two versions. There’s the broadcast itself, which took place at particular time when politics and technology combined to explode what ...